包容性视角下文物展陈支架设计应用研究——以“金石筼筜·金西厓竹刻艺术展”为例

Design and Application of Cultural Relics Exhibition Support from the Inclusive Perspective:Take"Jin Shi Yun Dang·Jin Xiya's Bamboo Carving"as an Example

文物支架是博物馆陈列的重要技术要素,也是博物馆文化创新精神的体现。2019年末,在上海博物馆“金石筼筜——金西厓竹刻艺术”特展中,为折扇等文物特别设计研发了针对性的爪件支架,这种支架结合了博物馆、设计者、制作者几方视角,是一次整合多种功能的文物精细展陈关键性技术尝试。从研究过程看,将包容视角叠加在双钻模型上,于项目不同阶段搭建出清晰的设计目标,以提升文物支架应对不同尺寸折扇的包容性适配能力。通过繁简关系的比较研究,结合材料与制作工艺的自适应特点,使一种支架匹配多种尺寸的同类别文物成为可能,为文物支架的定制生产提供了新的探索路径。

Cultural relics support is an important technical element of museum exhibition and also the embodiment of museum cultural and creative spirit.At the end of 2019,in the special exhibition"Jin Shi Yun Dang:Art of Jin Xiya's Bamboo Carving"of Shanghai Museum,a targeted claw support was specially designed and developed for cultural relics such as folding fans.Combining the perspectives of museums,designers and producers,this support is a key technical attempt to integrate multi-functional cultural relics.From the study process,the inclusive perspective is superimposed on the double-diamond model,and clear design objectives are established at different stages of the project,so as to improve the inclusive adaptability of cultural relics supports to folding fans of different sizes.Through the comparative study on the relationship between complexity and simplicity,combined with the adaptive characteristics of materials and manufacturing technology,it is possible for a support to match the same kind of cultural relics with various sizes,which provides a new exploration path for the customized production of cultural relics supports.