明清手炉情理设计

Emotional and Rational Design of Hand Stoves in Ming and Qing Dynasties

以明清手炉为研究对象,分析其理性因素与感性因素的设计特征,探究其情理相融的设计思路。搜集关于手炉的实物图像及文献资料,从设计学角度分析其造型、材质,并从力学及人机工程学视角分析其尺寸、结构,阐述手炉理性设计的科学性和实用性;从设计美学和设计文化学角度研究其纹样的形式构成和意涵表征,剖析手炉感性设计的审美性和人文性。手炉作为独具明清时代特色的生活用具,其设计中“理”的方面主要体现于大小得宜、选材合理、造型适用,“情”的方面则体现于纹饰美观、一物多用、传情载意。手炉设计中“理”与“情”的设计元素缺一不可。研究其中的情理关系,有利于人们从中提炼出适合现代理念的设计方法,以技艺之美,实现情理相合。

The work aims to analyze the design characteristics of rational factors and emotional factors of hand stoves in the Ming and Qing Dynasties,and explore the design ideas for combination of emotion and reason.The material objects,images and documents about hand stoves are collected to analyze their shape and material from the perspective of design,and analyze their size and structure from the perspective of mechanics and ergonomics,and explain the scientificity and practicability of the rational design of hand stoves.From the perspective of design aesthetics and design culture,this paper studies the formal composition and connotation representation of their patterns,and analyzes the aesthetic and humanistic nature of the emotional design of stoves.The hand stove is a living utensil with unique characteristics of the Ming and Qing Dynasties.The design of hand stoves mainly embodies the aspects of"reason"in the appropriate size,reasonable material selection,and suitable shape,and"emotion"in the beautiful patterns,one thing for multiple purposes,and the conveying of feelings.These design elements of"reason"and"emotion"are indispensable in the design of hand stoves.Studying the relationship between emotion and reason will help us to extract design methods suitable for modern concepts,and realize the harmony between emotion and reason with the beauty of skills.