丁善德改编民歌作品钢琴伴奏特色

Characteristics of Piano Accompaniment in DING Shan-de's Adaptation of Folk Songs

中国的传统民歌经过专业作曲家改编后,篇幅扩展,思想内涵深刻,艺术水准已经远远超过原本的民歌,而钢琴伴奏在其中有着至关重要的意义与作用。丁善德是我国著名作曲家,在民歌歌曲改编以及钢琴伴奏的编配上都具有独特的见解,他改编的《玛依拉》《想亲娘》等民歌,把民族的音调语汇和西方音乐的创作技术手法较好地结合,使改编的歌曲具有浓郁的民族风格和丰富多变的音乐织体,赋予了民歌新的生命力。丁善德为中国民歌的改编提供了极佳的范本,对丁善德改编的民歌作品钢琴伴奏特色进行分析和探讨,将会有利于中国民歌改编和艺术歌曲创作的发展,对我国钢琴伴奏专业的进步也十分有价值。

After being adapted by professional composers,Chinese traditional folk songs have expanded in length,profound in ideological connotation,and their artistic level has far exceeded that of the original folk songs,in which piano accompaniment plays a vital role.DING Shan-de is a famous composer in China.He has unique views on the adaptation of folk songs and the arrangement of piano accompaniment.His adaptation of folk songs such as Mayila and Miss my Mother combines the national tonal vocabulary with the creative techniques of western music,making the adapted songs have a strong national style and rich and varied musical texture,giving folk songs new vitality.DING Shan-de has provided an excellent model for the adaptation of Chinese folk songs.The analysis and discussion of the piano accompaniment characteristics of DING Shan-de's adaptation of folk songs will be conducive to the development of Chinese folk song adaptation and artistic song creation,and is also of great value to the progress of piano accompaniment major in China.