中国生态文化批评的范式探究——论鲁枢元的生态文化观

Research on the Paradigm of Chinese Ecological Culture Criticism——Lu Shuyuan’s Ecological Culture View

鲁枢元《陶渊明的幽灵》和《天地之中说聊斋》是生态文化批评的代表作,前者对陶渊明的历史影响、当代价值进行了研究,提供了跨文化研究的典范;后者则聚焦于蒲松龄及其《聊斋志异》,以生态文化批评的方法进行解读,为中国生态文化批评提供了跨学科研究个案。在这两部专著及近年来的一系列学术文章和访谈中,鲁枢元已经形成了自己独特的生态文化批评观,这是建立在精神生态、乡土思考、传统文化和绿色话语之上的研究范式,推动了中国当代生态文化研究。

The Ecological Era and Classical Chinese Naturalism and Talking about Strange Stories from a Chinese Studio in Heaven and Earth are Lu Shuyuan’s representative works of ecological cultural criticism.The former studies on the historical influence and contemporary value of Tao Yuanming and provides a model for Cross-cultural studies;the latter focuses on Pu Songling in the Qing Dynasty and his Strange Stories from a Chinese Studio,and interprets it in the way of ecological cultural criticism,providing a case of transdisciplinarity study for China’s ecological cultural criticism.In these two monographs,as well as a series of papers and interviews in recent years,Lu Shuyuan has developed his unique ecological and cultural criticism perspective,which is a research paradigm based on spiritual ecology,local thinking,traditional culture,and green discourse,promoting contemporary ecological and cultural research in China.