《金阁寺》:物人映衬的叙事特色与物哀美学的艺术呈现

The Temple of the Golden Pavilion:The Narrative Features Against the Objects and Characters and the Artistic Presentation of the Aesthetics of Mono No Aware

《金阁寺》中的金阁作为贯穿小说始终的重要物象,不仅为人物沟口提供了美好想象、理想幻灭、自我毁灭的契机,也在他处理同“重要他者”的关系中发挥了重要作用。金阁的多面形象映射了沟口不同时期的心理状态,构成了沟口精神嬗变的伦理标志物;沟口的多面形象与金阁的多重物象隐喻遥相呼应,成了金阁“物语”表达的参与完成者。小说在写人状物的“双线并进”中探讨了欲望与诱惑的“无常”。

The Golden Pavilion in The Temple of the Golden Pavilion is an important object image throughout the novel,which not only provides Mizoguchi with opportunities for beautiful imagination,ideal disillusionment,and self-destruction,but also plays an important role in his dealing with the relationship with the“important others”.The multifaceted image of the Golden Pavilion reflects Mizoguchi’s psychological state in different periods,and constitutes an ethical marker of Mizoguchi’s spiritual evolution;the multifaceted image of Mizoguchi echoes the multiple object image metaphors of the Golden Pavilion,becoming a participant and completer of the expression of the“object language”of the Golden Pavilion.The novel explores the“impermanence”of desire and temptation in the“joint progress of two lines”of writing characters and describing objects.