后人类视域下《阿凡达:水之道》的游牧主体研究

Research on the Nomadic Subjects in Avatar:The Way of Water from the Perspective of Post-Human

《阿凡达:水之道》建构的具有自主智慧的潘多拉星球生态体系与17世纪哲学家斯宾诺莎提出的一元论相吻合,展现了后人类主义关照下个体与自然融为一体、所有物种之间平等和谐共处的愿景。主人公们的杂合身份使他们超越了先验式的身份框架,成为德勒兹所言说的具有生产性的游牧主体,在遵循逃逸线的生成之路上,成为部落与部落之间,星球与星球之间的纽带。这不仅消解了自笛卡尔以来的二元对立观,还使主角们为星际关系扩展了和平共处的可能。

The ecological system Pandora constructed in the film Avatar:The Way of Water corresponds with the monism proposed by the philosopher Baruch de Spinoza in the 17th century.The film presents the post-humanist vision where individuals integrate into nature and interact with nature in an equal and harmonious way.The hybrid identities of the protagonists help them break through their transcendental identity framework,becoming the productive nomadic subjects as Gilles Deleuze proposes.By following the ligne de fuite,they have become the tie between tribes,and even planets,which not only eliminates the dualism proposed by Descartes,but also brings forth the peaceful interplanetary relationship.