“前溪歌舞”舞伎服装复建探索

Exploration of the reconstruction of the dancers’clothing of“Qianxi song and dance”

前溪歌舞脱胎于吴地民间歌舞,为沈充所创,后进入宫廷,在南北朝和唐朝时期广泛流传。前溪歌舞开创中国古代歌伴舞的先例,对后世影响很大,其服装轻柔飘逸、魅力无穷。文章通过历史背景、历史文献和古代文学作品描述歌舞的舞台特征、魏晋南北朝的服饰风格,特别从《女史箴图》《列女古贤漆屏画》和出土的“绞染绢”入手,论证当时舞伎的服装为杂裾垂髾服,为艺术复建前溪歌舞作准备。

Qianxi song and dance originated from folk song and dance in the Wu region and was created by Shen Chong.Later,it entered the palace and was widely spread during the Northern and Southern Dynasties and Tang Dynasty.Qianxi song and dance set a precedent for ancient Chinese song and dance,which had a great impact on later generations.Its clothing was soft,elegant and charming.This paper describes the stage characteristics of sing and dance,as well as the clothing styles of the Wei,Jin and Northern and Southern Dynasties,through historical background,historical literature,and ancient literary works,starting from the Admonitions of the Instructress to Court Ladies and Painting of Painted Screens of Ancient Virtuous Women,and the unearthed“twisted dyed silk”,argues that the clothing of the dancers at that time was miscellaneous train Chuishaofu,preparing for the artistic restoration of Qianxi sing and dance.