重审无产阶级革命文学的历史形态及其思想价值--以《中国的一日》为中心的历史考察

Re-examining the Historical Form and Ideological Value of Proletarian Revolutionary Literature--The Historical Investigation Centered on“One Day in China”

《中国的一日》处于无产阶级革命文学的中心任务由阶级革命向民族革命转型的历史进程之中,它是无产阶级革命文学发展史的内在构成部分。对《中国的一日》外部的物质环境、内在的美学形态以及创作主体构成等一系列因素的考察清晰表明,它是印刷资本主义的典型产物,且沿袭着五四新文学的美学风格,其所形塑和想象的乃是以小知识分子为主体的共同体。一方面,我们从这些总体特点和发展逻辑出发可以考察整个无产阶级革命文学作为“艺术即宣传”的历史形态;另一方面,处在转型期的《中国的一日》发展和充实了既往无产阶级革命文学的意涵,它所蕴含的通向下一环节的积极性理论思想使我们能够重新认识和审视无产阶级革命文学的思想价值。

"One Day in China"is in the historical process of the transformation of the central task of proletarian revolutionary literature from class revolution to national revolution,and it is an internal part of the development history of proletarian revolutionary literature.The investigation of a series of factors such as the external material environment,internal aesthetic form and creative subject composition of"One Day in China"clearly shows that it is a typical product of printing capitalism and follows the aesthetic style of the May Fourth New Literature.What is shaped and imagined is a community with small intellectuals as the main body.On the one hand,starting from these overall characteristics and development logic,we can examine the historical form of the entire proletarian revolutionary literature as"art is propaganda".On the other hand,"One Day in China",which is in the period of transition,has developed and enriched the connotations of previous proletarian revolutionary literature,and the positive theoretical thought leading to the next link contained in it has also enabled us to re-understand and examine the value and significance of proletarian revolutionary literature.