荻生徂徕对王世贞文学思想的接受——兼谈日本文学复古的走向

Acceptance of Wang Shizhen’s Literary Thought by Ogyu Sorai:Also on the Trend of Japanese Retro Literature

在日本江户时代,以荻生徂徕、服部南郭为代表的萱园派深受明朝后七子的影响,力倡文学复古,取法李攀龙和王世贞,但学界较少关注他们对王世贞的接受。实际上,基于共同的复古认知,从荻生徂徕的自著文集和所编选的他人文集中均能看到王世贞的影响。荻生徂徕批判剽窃模拟之风,坚持不囿于秦汉和盛唐的取法对象,追求源于真情的文学创作,使他最终醉心于踵武王世贞,而非李攀龙。其弟子服部南郭为宣扬文学复古而托名李攀龙编纂的《唐诗选》,促进了李攀龙在日本的传播,淡化了王世贞的影响,但此举并非荻生徂徕的本意。因此,对日本文学复古发展轨迹的全面认知,不能忽视王世贞的影响。

During the Edo period in Japan,the Sorai School,represented by OgyūSorai and Hattori Nangaku,was deeply influenced by the Later Seven Masters of the Ming dynasty and advocated for literary revival,drawing inspiration from Li Panlong and Wang Shizhen.However,there has been relatively little attention paid to their acceptance of Wang Shizhen in academic circles.In fact,based on their shared understanding of literary revival,the influence of Wang Shizhen in both OgyūSorai’s own writings and the anthologies he compiled can be perceived.OgyūSorai criticized the trend of plagiarism and imitation,insisting on not limiting oneself to the models of the Qin,Han,and Tang dynasties,but rather pursuing literary creation based on genuine emotions.This led him to become deeply fascinated with Wang Shizhen instead of Li Panlong.Hattori Nangaku,his disciple,promoted literary revival by publishing a Compilation of Tang poetry attributed to Li Panlong,which facilitated the spread of Li Panlong’s influence in Japan while downplaying the impact of Wang Shizhen.However,this was not the original intention of OgyūSorai.Therefore,for a comprehensive understanding of the trajectory of literary revival in Japan,it is important not to overlook the influence of Wang Shizhen.