摘要
中国古典美学具有独特的精神与品格、风度与气韵。从不同艺文实践中概括出的中国古典美学范畴是各自独立的,但这些范畴并非孤立,而是相互联系、相互作用的系统,彼此之间有着内在的意脉。在古典美学之中,感与思是审美经验的起点,情与理是审美生成的主体,景与象是寄托情理的客体,证与悟是审美认知的历程,心印是审美意识的凝结,境界是审美结果的显现,永恒是审美活动对时空限制与功利态度的超越,这一系列范畴及其关联构成了中国古典美学的深层结构。中国古典美学不仅突破了认知的局限,而且引导我们走向生命的深处,把握独特的真性。对形而上的不断追寻与对形而下创作的不断探寻相互交织,感性的想象、理性的思辨、悟性的觉解、真性的归复在不停地渗透交融,这是中国古典美学散发永恒魅力、焕发巨大创造力的原因。
Chinese classical aesthetics has its unique form and content,style and charm.In classical aesthetics,feeling and thinking are the foundation of aesthetic experience,while sensory perceptions and rational faculties are the subjects of aesthetic generation.Scenes and imagery constitutes the objects that evoke emotional and rational responses.The process of aesthetic cognition involves enlightenment and comprehension,and the imprint left on the mind encapsulates aesthetic consciousness.The achieved aesthetic outcome is manifested through a particular realm,and its transcendence beyond temporal and utilitarian confines represents eternity.This series of categories and their associations constitute the deep structure of Chinese classical aesthetics.These interconnected categories,along with their associations,constitute the underlying framework of Chinese classical aesthetics.While these categories retain their autonomy,they are not isolated;rather,they form an intricate web of interrelated,interacting systems with inherent connections.Chinese classical aesthetics not only breaks through the limitations of cognition,but also guides us to the depths of life and grasp the unique authenticity.Chinese classical aesthetics exudes eternal charm and great creativity because the pursuit of metaphysics and physical creation are intertwined,and the sensation,ration,understanding,genuineness are constantly interwoven and blended.
作者
沈沫
SHEN Mo(School of Humanities,Shanghai Jiao Tong University,Shanghai 200240,China)
出处
《同济大学学报(社会科学版)》
北大核心
2023年第4期63-72,81,共11页
Journal of Tongji University:Social Science Edition
关键词
中国美学
古典美学
系统
Chinese aesthetics
classical aesthetics
system