自然及其“神性”:论雷平阳的生态诗学

Nature and Its"Divinity":On Lei Pingyang's Ecological Poetics

雷平阳生态诗学以云南地理环境为坐标,将诗歌写作之经验、情感与想象倾注在对自然生态的关切和描摹之中,努力呈现特定区域的自然万物之“神性”意味。雷平阳的诗歌写作,以呼唤“神性”自然与理想人性之复归的方式,以独特的“环境想象”,回应着消费文化、现代文明对自然环境与原始文化的侵蚀,完成了对一个被“怯魅”的自然之“复魅”。诗人对云南地域多元的宗教现象,特别是佛教及衍生文化情有独钟,诗作借助宗教元素表现了与民族情感、心理相联结的生态思想,开掘其隐含的文化意味与审美价值。雷平阳的诗歌在回归诗性“自然”的同时,也在向人性之初复归,用以抵制、补偿科技理性带来的伤害和代价。

Lei Pingyang's ecological poetics,taking the geographical environment of Yunnan as the coordinate,poured the experience,emotion and imagination of poetry writing into the concern and description of natural ecology,and tried to present the“divine”meaning of natural things in a specific region.Lei Pingyang's poetry writing,in the way of calling for the return of“divine”nature and ideal human nature,responded to the erosion of natural environment and primitive culture by consumer culture and modern civilization with unique“environmental imagination”,and completed the“enchantment”of a nature that was“scared”.The poet has a special interest in the diversified religious phenomena in Yunnan,especially Buddhism and its derivative culture.With the help of religious elements,his poems express the ecological thoughts linked with national emotions and psychology,and explore its implied cultural meaning and aesthetic value.Lei Pingyang's poetry is returning to the poetic“nature”,and at the same time,it is also returning to the beginning of human nature to resist and compensate for the harm and cost caused by scientific and technological rationality.