摘要
江苏梆子的发展,与该剧种博采众长、广收并蓄之特质有关,尤其是它在长期发展的过程中,有意识地吸收了昆腔、弋阳、余姚、罗罗诸戏曲声腔的艺术因子。流行于徐州一带的罗罗戏,当为梆子戏的源头之一。这从二者的唱腔体制、唱法遗存、唱词结构、剧目传承等方面,都可以找到印证。从江苏梆子的现存曲牌,可知其与山东、陕西梆子有一定渊源关系。明代以来大批移民的迁入,以及秦、晋商贾纷至沓来,山西、陕西土戏陆续传入徐州一带,与当地罗罗戏之类土戏碰撞融合,又先后吸纳了山东梆子、河南梆子、地方俗曲小调的某些艺术因子,促成了江苏梆子的肌体蜕变,乃至形成别具特色的独立剧种。
The development of Bang-zi-xi(Bang-zi Opera)in Jiangsu Province is related to its characteristics of inclusiveness as it draws on the strengths of other operas,widely accepting and integrating different elements,especially in its long-term development,it consciously absorbed the artistic factors of Kun-qiang,Yi-yang,Yu-yao,and Luo-luo operas.Luoluo Opera,popular in Xuzhou area,is considered one of the origins of Bang-zi Opera,which can be confirmed from the aspects of their singing system,singing techniques,lyrical structure,and repertoire inheritance.From the existing Qu-pai(tune)of Bang-zi Opera in Jiangsu Province,it can be noted that it has a certain relationship with the origins of Bang-zi opera in Shandong and Shaanxi provinces.Since Ming Dynasty,a large number of immigrants have immigrated,and merchants from Qin-jin areas have flocked to Xuzhou.Local Shanxi and Shaanxi operas have been introduced into the area,colliding and integrating with local Luoluo operas.They have also absorbed some artistic factors from some operas in Shandong,Henan,and local folk tunes,promoting the physical transformation of Bangzi opera in Jiangsu and even forming a unique and independent opera genre.
作者
肖阳
赵兴勤
XIAO Yang;ZHAO Xingqin(School of Preschool and Special Education,Xuzhou Kindergarten Teachers College,Xuzhou,Jiangsu 22100,China;School of Chinese Language and Literature,Jiangsu Normal University,Xuzhou,Jiangsu 221000,China)
出处
《贵州大学学报(艺术版)》
2023年第5期76-81,共6页
Journal of Guizhou University Art Edition
基金
2019年度国家社科基金艺术学重大项目“新中国成立70周年中国戏曲史(江苏卷)”(项目编号:19ZD05)
2022年度江苏省文化和旅游科研课题“江苏梆子活态传承研究”(项目编号:22YB03)
江苏省第六期“333高层次人才培养工程”第三层次培养对象资助项目。
关键词
江苏梆子
起源
Bang-zi-xi(Bang-zi Opera)
origin