汉画舞蹈的重建与博物馆“活起来”

The Reconstruction of Han Dance Carved in Stone Reliefs and the"Revitalization"of Museums

按照符号学分类,舞蹈属于连续性符号,即动态符号。汉画舞蹈本是二维和三维空间的静态符号,汉画舞蹈的重建就是将这些静态的符号变成四维空间的动态的连续性符号。就其意义而言,汉画舞蹈重建的命题是对现实“中华民族复兴”的一种微观应对,应对于民族文化的复兴、民族身体文化的复兴、民族舞蹈身体文化的复兴、民族舞蹈身体文化中古典舞子舞种汉舞的复兴。它包括复兴问题、原型问题、原型复兴的价值问题,是一个系统性的实践理论。

According to semiotic classification,dance belongs to continuous symbols,namely dynamic symbols.Han dance carved on stone reliefs is originally a static symbol in two-dimensional and three-dimensional space,and its reconstruction is to transform these static symbols into dynamic continuous symbols in four-dimensional space.In terms of its significance,the proposition of its reconstruction is a micro-response to the reality of the“rejuvenation of the Chinese nation”,which should focus on the rejuvenation of Chinese national culture,Chinese body culture,Chinese dancing body culture,and the revival of classical Han dance style in Chinese dancing body culture.It covers the issues of revival,prototype,and the value of prototype revival,which is a systematic practice theory.