汉字图形的空间转型性设计研究——以作品《经纬·共时》为例

RESEARCH ON THE SPATIAL TRANSFORMATION DESIGN OF CHINESE CHARACTER GRAPHICS—TAKING THE EXAMPLE OF THE WORK"LONGITUDE AND LATITUDE·SYNCHRONICITY

对陷入形式轮回的汉字图形设计进行反思,重新探索汉字图形的多维创作舞台,增加汉字图形设计语言叙述层次。以汉字图形的平面固有表达为基础的理论建构,结合实验性字体设计的反复打磨来相互检验。根据前期的实验性字体设计展开思考,并创作汉字图形设计作品《经纬·共时》。空间转型开拓更多维度的字体形式,优化汉字图形的多重体验。

Through reflecting on the artistic creation of Chinese character in the form of reincarnation,re-explore the multi-dimensional creation stage of Chinese character graphics,and establish a new language narrative level.The theoretical construction based on the research of Chinese characters and the inherent expression of traditional two-dimensional expression,combining with the repeated polishing of experimental font design to test each other.Thinking according to the previous experimental font design,and creating a three-dimensional Chinese character graphic design work"Longitude and latitude·synchronicity".Threedimensional space transformation and development of more dimensions of fonts,optimizing the multiple experiences of Chinese character art,and exerting significance for inheritance and promotion of traditional Chinese ideological value.