摘要
本文以1936年至1938年在上海等地流动举办的“第一届全国漫画展览会”为研究对象,将“全漫展”放在中国漫画发展历史语境之中,梳理作为漫画界联合行动的“全漫展”的缘起和经过;在1936年这个全面抗战爆发前的历史节点上,考察“全漫展”内部和外部关于建立漫画界救亡统一战线的讨论;在当时《时代漫画》和《漫画生活》两份沪上最重要漫画刊物的对峙背景下,透过部分漫画家对1935年至1936年沪上漫画界的评述,解读由意识分歧、门户之争引发黄士英等人拒绝参展的现象。
This paper studies the“First National Comics Exhibition”held in Shanghai and other cities from 1936 to 1938 by putting it in the comic development in China back then,and sorts out the initiation and process of the Exhibition as a joint action of the comic community.It examines discussions among artists inside and outside the Exhibition on the comic community establishing a united front to save the nation in 1936 before the outbreak of the War against Japanese Aggression.The paper also interprets Huang Shiying and other artists refusing to take part in the Exhibition because of disagreement in thoughts and disputes between the Modern Sketch and the Comic Life,the two most important comic publications in Shanghai at that time,by analyzing what some cartoonists said about the comic community in Shanghai between 1935 and 1936.
作者
黄碧赫
Huang Bihe(the New Art Museum Studies Research Center,Guangzhou Academy of Fine Arts)
出处
《美术》
CSSCI
北大核心
2023年第9期75-89,共15页
Art Magazine
关键词
第一届全国漫画展览会
时代漫画
漫画生活
抗战美术
the First National Comics Exhibition
the Modern Sketch
the Comic Life
art in the War against Japanese Aggression