江苏丰县大汉坛项目建筑创作

ARCHITECTURAL CREATION OF THE TEMPLE OF HAN DYNASTY PROJECT IN FENGXIAN COUNTY,JIANGSU

建筑作为一种特有的文化表征,体现着一方水土和一方记忆,而文化作为建筑的灵魂与生命,必然赋予建筑更加深刻的内涵与归属。现代建筑的创作往往通过追溯传统文化的起源,形成既能立足本土,又不乏时代性的作品。究其手法,在将传统文化进行现代转译的过程中,抽象与隐喻成为一种典型范式。本文以大汉坛项目建筑创作为例,从文化溯源、理念建构、作品呈现等方面出发,结合对传统美学的解析与对现代设计的思考,对其设计过程与设计成果进行了详细论述,并对抽象与隐喻这一创作手法的使用过程和操作方式展开梳理,以期为传统文化现代传承方法论的建构与探索提供一定参考。

Architecture,as a unique cultural representa­tion,reveals characteristics and memory of a place.Cul­ture,as the soul and life of architecture,inevitably endows architecture with a deeper connotation and belonging.The design of modern architecture often traces origin of traditional culture,and forms works that are both based on the local culture and have the characteristics of the times.In the process of translating traditional culture into modern language,abstraction and metaphor become a kind of typical paradigm.Taking the architectural design of"Da Han Tan"project as an example,based on the analysis of traditional aesthetics and the reflection on modern design,this paper discusses the design process and results in details from the aspects of cultural trace­ability,concept construction,works presentation and so on,and combs the application process and opera­tion mode of the design technique of abstraction and metaphor,to provide references for the construction and exploration of modern inheritance methodology of traditional culture.