摘要
城市交响曲电影以城市为刻画对象,通过对城市生活的描写来揭示城市生活的独特面。从早期城市交响曲电影对现代性的迷恋与反思,到反映现代性异化与对抗异化的城市交响曲电影,再到科幻类城市交响曲电影对乌托邦与反乌托邦的呈现,中外电影史中的城市交响曲电影映照出独特的景观人文与城市精神,以及城市文化中存在的多种矛盾张力。电影与城市彼此观照、渗透与影响,互为镜像,电影中的城市承载着人类文明的发展进程,电影将流逝的城市凝固在胶片上,使之成为可追溯的永恒。城市交响曲电影中的城市成为文化与价值观念的表征,城市影像中凝聚的人文关怀,是其最为独特的城市精神。
City symphony films take the city as the object of portrayal,and reveal the unique aspects of city life through the description of city life.From the infatuation and reflection on modernity in the early city symphony films,the alienation of modernity and fighting against it,and to the presentation of utopia and dystopia in the science fiction city symphony films,the city symphony films in the world film history reflect the unique landscape humanity and city spirit,allowing us to feel the relationship between people,films and cities,as well as the multiple contradictions and tensions in urban culture.Film and city observe,penetrate and influence each other,and mirror each other.The city in the film carries the development of human civilization,and the film solidifies the passing city on film,making it a traceable eternity.The city in the city symphony film becomes the representation of culture and values,and the humanistic care condensed in the city image is its most unique city spirit.
作者
孙萌
SUN Meng(Institute of Film and Television,Chinese National Academy of Arts,Beijing 100012,China)
出处
《广州大学学报（社会科学版）》
2023年第5期173-182,共10页
Journal of Guangzhou University:Social Science Edition
基金
中国艺术研究院基本科研业务费项目(2022-1-17)。
