从“展开性变奏”看欧洲传统和声的去功能化

The Defunctionalization of European Traditional Harmony from the Perspective of"Unfolding Variation"

“展开性变奏”是由勋伯格提出的关于勃拉姆斯音乐创作中的一种音高组织手法。为了剖析“展开性变奏”这种不同于传统以功能和声为主的新的音高组织手法,在和声学视域下,通过对“展开性变奏”的理论阐释、勃拉姆斯以及勋伯格个别作品的研究,深入剖析在调性模糊至无调性时期,“展开性变奏”对于作品整体音高组织问题的构架,旨在探究在传统和声去功能化过程中,它如何解决作品整体结构的统一性问题,以及如何启示勋伯格无调性音乐的创作,从而厘清调性发展过程中的历史脉络,丰富了艺术发展史,这对于作曲技术理论教学方面具有着重要意义,对于高师音乐学专业的相关核心课程内容的设定有着一定的指导作用。

"Unfolding variation"is a pitch organization technique in Brahms′s music creation proposed by Arnold Schoenberg.In order to analyze the"Unfolding variation"which is different from the traditional functional harmony-based new pitch organization techniques from the perspective of harmonics,through the theoretical interpretation of"Unfolding variations"and the study of individual works of Brahms and Schoenberg,this paper deeply analyzes the framework of"Unfolding variation"on the overall pitch organization of works in the period of tonality ambiguity to atonality.It explores how to solve the problem of the unity of the overall structure of the work in the process of the defunctionalization of traditional harmony,and how to enlighten Schoenberg′s atonal music creation,so as to clarify the historical context of the development of tonality and enrich the development history of art,which is of great significance to the teaching of composition technology theory and plays a certain guiding role in the setting of relevant core curriculum content of musicology major in normal universities.