论《银翼杀手》系列电影身体观的转向

On the Shift in the View of the Body in the Blade Runner Film Series

《银翼杀手》及其续集电影《银翼杀手2049》都共同追问了人之本质的哲学命题,但两部影片对此有不同的回答。《银翼杀手》所构建的是一种意识主体观,在现代性的维度上,从主体的记忆与主体间的移情共同构建出意识主体。《银翼杀手2049》更多凸显的是一种身体—主体观,显现出身体的本源意义。这一演变进程与西方身体观的转向相耦合,对身体的思考呈现出从形而上到肉身化的转向,跨越近半个世纪的续集翻拍,折射出两代人对人之本质与身体意义的不同思考。

Both Blade Runner and its sequel Blade Runner 2049 share the philosophical proposition of the nature of man,but the two films have different answers to it.Blade Runner constructs a view of the conscious subject,which is constructed from the memory of the subject and inter-subjective empathy in the dimension of modernity.Blade Runner 2049 is more of a body-subject view,revealing the original meaning of the body.This evolutionary process is coupled with the shift in the Western view of the body,and the thinking about the body shows a shift from metaphysical to corporeal.The sequel remake,which spans nearly half a century,reflects the different thinking of the two generations on the nature of man and the meaning of the body.