汉赋“讽劝”说生成的创作机理及理论内涵

The Creative Mechanism and Theoretical Connotations Generated by the“Satirical Persuasion”Theory in Han Fu

“讽劝”说是伴随汉赋创作实践而产生的理论阐述,从汉赋创作主体、文本特征及阅读接受多个层面,均能窥见汉赋“讽劝”矛盾的形成因由与理论内涵。汉代赋家政治理想与现实追求的背离、赋体特征与儒家审美取向的冲突、创作动机与潜在读者接受效果的违逆,皆促成了汉赋“讽劝”批评观的形成。“讽劝”说体现了汉赋创作实践与批评理论同向度掘进的文学史演变,对理解两汉文论话语的经学转换、早期文学接受审美等有重要意义。

“Satirical Persuasion”is a theoretical exposition that emerged alongside the practice of Han Fu creation.From multiple aspects,such as the subject of Han Fu creation,textual features,and the reception of readers,one can discern the causes and theoretical connotations of the contradictions in Han Fu’s“satirical persuasion.”The contradiction of“satirical persuasion”is manifested in the deviation between the political ideals and actual pursuits of Han Dynasty Fu writers,the conflict between the characteristics of Fu style and the aesthetic orientation of Confucianism,and the discrepancy between creative motivations and the potential readers’reception.The critical perspective on the contradiction of“satirical persuasion”reflects the literary-historical evolution of Han Fu’s creative practice and critical theory,which is of significant importance for understanding the transformation of Confucian discourse in the literary theory of the Western Han and Eastern Han periods,as well as the early reception of literary aesthetics.