摘要
《雕虫诗话》是刘衍文先生的诗文品鉴代表作。它是一部以创作为着眼点的评鉴著作,继承并发扬了性灵文学观念,以技艺为讨论的重点,重视作品的技艺完满胜于原创,与近代以来古典文学研究主流迥然有别。书中对具体作品的技法得失的讨论反映了刘先生特别的见解,虽然刘先生的见解仍有讨论的余地,但在人工智能生成内容(AIGC)突飞猛进的当下,刘先生这种细密的技艺研究可以还原中国传统诗文的创作机制,用以辅助技术,值得认真研究并发扬光大。
Diaochong Notes of Poetry is Mr.LIU Yan-wen’s representative work of poetry and prose appreciation.It is an evaluation work that focuses on creation,inheriting and promoting the concept of literature of nature and spirit,with a focus on the discussion of craftsmanship,and emphasizing the perfection of the work’s craftsmanship over originality,which is completely different from the mainstream of classical literature research since modern times.The discussion of the technical gains and losses of specific works in the book reflects LIU’s special insights.Although there is still room for discussion in LIU’s views,in the current era of rapid progress in AIGC,LIU’s meticulous technical research can restore the creative mechanism of traditional Chinese poetry and prose,and be used as an auxiliary technology.It is worth carefully studying and promoting.
出处
《华东师范大学学报(哲学社会科学版)》
北大核心
2023年第5期57-64,171,172,共10页
Journal of East China Normal University(Humanities and Social Sciences)
关键词
刘衍文
《雕虫诗话》
技艺
性灵
LIU Yan-wen
Diaochong Notes of Poetry
nature and spirit