中国古典诗歌“以镜映像”及创作心理阐论

An Explanation of“Mirror Image”and Creative Psychology in Classical Chinese Poetry

“以镜映像”作为中国古典诗歌涉镜书写中的支脉,与屏画、窗景构成差异而相关的写景程式。镜像的映现方式、书写技巧折射出文人关于居室内外、人造与自然之间关系的观念。文人根据意欲传达的心绪和意义选择事物入镜,镜像象征其精神世界。开放灵动的镜像打破了居室的封闭固定,成为凸显居室形胜的装饰。文人以小驭大、以小见大,利用镜像控制自然,塑造人工景观,构筑自足纯净的私人空间。以镜映像成为文人的审美活动,因其陌生化、抽象化与间隔化而被观赏,又因其亲近性、模糊性、幻觉性而被玩味。

As a branch of Chinese classical poetry that involves mirror writing,“mirror image”is a landscape program related to the differences in composition between screen paintings and window scenes.The reflection method and writing technique of mirrors reflect literati’s ideas about the relationship be⁃tween indoor and outdoor environments,as well as between humans and nature.Scholars choose things to mirror based on their intended emotions and meanings,and the mirror symbolizes their spiritual world.The open and dynamic mirror breaks the closed and fixed nature of the living room,becoming a decoration that highlights the beauty of the living room.Scholars use small to control the big,small to see the big,and use mirrors to control nature,shape artificial landscapes,and build self-sufficient and pure private spaces.The use of mirror imagery as an aesthetic activity for literati is appreciated due to its unfamiliarity,abstraction,and spacing,as well as its closeness,ambiguity,and hallucination.