杰拉德·霍普金斯风景诗中的神性自然

The Divine Nature in Gerard Hopkins’s Landscape Poetry

维多利亚时代诗人杰拉德•霍普金斯不仅是公认的宗教诗人和自然诗人,也是一位具有独特视觉敏感度和表现力的风景诗人。他的风景诗作将自然与宗教巧妙地融为一体,其笔下的风景既具有宗教的超验神性,又具有物质存在的现实性,实现了神学与生态观照之间的平衡统一。诗人通过参差多态和神秘崇高的景观描写折射出对神性自然的敬畏虔诚,同时以现代生态神学思想抵御理性主义对自然的祛魅,从而推动自然踏上复魅之路。

The Victorian-era poet Gerard Hopkins is not only recognized as a religious and nature poet,but also a landscape poet with unique visual sensitivity and expression.His landscape poetry skillfully merges nature and religion together,where the scenery under his pen has both the transcendental divinity of religion and the material existence of reality,achieving a balance between theological and ecological perspectives.Through his descriptions of landscape of diversity and sublimity,Hopkins’poems reflect his deep respect and devotion to divine nature,and meanwhile with the modern ecological theology to resist the demystification of nature by rationalism,Hopkins thus promotes a return to the re-enchantment of nature.