活态化视角下皖南古民居营造技艺传承与文创设计——以歙县屏山村舒氏光裕堂为例

A Study on the Inheritance of Building Techniques and Cultural Creativity Design for Ancient Dwellings in Southern Anhui in the View of Activation:Taking Shu’s Guang Yu Ancestral Temple in Pingshan Village as an Example

皖南古民居以其独有的建筑风貌享誉海内外。“徽州三雕”和徽派传统民居营造技艺为国家级非物质文化遗产,具有很高的历史和艺术研究价值。歙县屏山村的舒氏光裕堂是皖南地区具有代表性的古民居建筑,其在营造空间、材质、色彩和图样方面均包含营造技艺中蕴含的活态化因子,为传承古民居营造技艺提供了新的现实可能性。结合营造技艺活态化因子,从艺术解构、艺术组合及消费者心理等原则出发,遵循原型理论进行文创产品研发,是传承古民居营造技艺的新的现实途径。

The ancient dwellings in Southern Anhui are renowned both domestically and internationally for their unique architectural style.With great historical and artistic research value,“Huizhou Three Carvings”(wood carving,brick carving and stone carving)and the building techniques of Huizhou-style traditional dwellings have been included in the list of national intangible cultural heritage.Shu’s Guang Yu Ancestral Temple in Pingshan Village,Shexian County is a representative for ancient dwellings in Southern Anhui.It contains activation factors in such four aspects as space,material,color and pattern,which provides new possibility for inhering the building techniques of ancient dwellings.In view of the activation factors about building techniques,starting from the principles including artistic deconstruction,art combination and consumer psychology,developing cultural creativity products by following the prototype analysis theory is a new practical way to inheriting the building techniques of ancient dwellings.