幽冥·炽热·澄澈:古马诗歌色彩审美的三重维度

Gloom·Incandescence·Clarity:Three Dimensions of Color Aesthetic of Gu Ma’s Poetry

古马的诗歌在色彩间显露诗意、在诗意中重塑色彩,色彩与诗意的互动和互释是其诗歌的艺术特色之一。古马选用黑、红、白等色彩,大胆而跳跃的想象,为诗歌创设了幽冥、炽热、澄澈三重审美维度,并通过色彩间的和谐共生与对比色的差异碰撞,在美学视阈下衍生出富有哲理的诗味。在古马的演绎下,色彩早已挣脱物理上的视觉辖制,成为集理性与感性、思想与情感、生理与心理于一体的审美意象,蕴藏着古马对灵魂、人性及生命的诗情,内敛而深情地言说着诗人的情感忧思。古马对色彩敏锐而独特的感知帮助他打破了客观事物与色彩间的固有状态,在诗歌创作中完成了色彩与文字的融合,在诗意的低语中构筑起另一种存在的真实。

The poetry of Gu Ma reveals poetry in colors and reshapes colors in poetry.The interaction and mutual interpretation of colors and poetry are the artistic characteristics of his poetry.Gu Ma chooses black,red,white and other colors,and boldly leaps,creating the three aesthetic dimensions of gloom,incandescence and clarity for the poetry.Through the harmonious coexistence between colors and the collision of color difference,the philosophical aesthetic meaning is derived under the aesthetic threshold.Under the interpretation of Gu Ma,colors have already broken free from the physical visual system and become an“aesthetic representation”integrating rationality and sensibility,thought and emotion,physiology and psychology,hiding the poetry of Gu Ma on the soul,human nature and life,and telling the poet’s introverted and affectionate emotional worries.Gu Ma’s keen and unique perception of colors has helped him to break the inherent state between objective things and colors,complete the integration of colors and words in the poetry creation,and build another kind of existence of reality in the poetic“whisper”.