现代诗歌中的审丑倾向--浅谈波德莱尔对中国新诗的影响

The Tendency of Appreciating Ugliness in Modern Poetry--An Insight into Baudelaire's Influence on Chinese New Poetry

新诗要解放,还得向“外”看。从五四时期起,外国诗歌的输入就成为了推动中国诗歌现代化转型不断深化的源泉力量。我们主动接受西方理论思潮并投诸实践,同时在内外对话的演进中回答新诗命题并以此形成和发展自身诗学观念。本文将以现代诗歌史中对新诗流派影响极大的外国诗人波德莱尔为例,探讨法国象征派诗歌先驱在诗歌审美方面对中国新诗之“新”做出的重要贡献。由于受其影响者不胜枚举,故在此仅通过分析三位诗人李金发、戴望舒、卞之琳的代表性作品,试图从里找出不仅是形式和内容,更是思想上的较之过去的颠覆性转变。而这种转变往往会对固有思维模式与传统叙事结构的整个框架地基在逻辑层面造成桥接中的裂缝,从而富有冲击力地带来某些难以接受的现代性悖论。于是在这种情况下,诗歌生命迎来了墙角开花的新契机。

To emancipate new poetry,we must look outward.Since the May 4th Period,the import of foreign poetry has become the source force to promote the deepening of the modernization of Chinese poetry.We take the initiative to accept the western theoretical trend of thought and put it into practice.At the same time,we answer the propositions of new poetry in the evolution of internal and external dialogue and form and develop our own poetic ideas.This paper takes Baudelaire,a foreign poet who has great influence on the school of new poetry in the history of modern poetry,as an example to explore the important contribution of French symbolic poetry pioneers to the"new"of Chinese new poetry in the aspect of poetry aesthetics.Since there are too many people influenced by it,this article only analyzes the representative works of the three poets Li Jinfa,Dai Wangshu and Bian Zhilin,trying to find out not only the form and content but also the subversive changes in thought compared with the past.However,such transformation often causes cracks in the bridge between the inherent thinking mode and the whole frame foundation of the traditional narrative structure at the logical level,thus bringing some unacceptable modern paradoxes with impact.Therefore,in this case,poetry life ushered in the corner of a new opportunity to blossom.