论田汉南国社时期戏剧创作、演出与接受的关联互动

The Association and Interaction of Writing,Performing,and Reception of Tian Han's Plays during the Nanguo Drama Club Period

田汉在南国社时期的戏剧创作、演出、接受之间存在着明显的关联互动,其戏剧创作多从演员身上汲取写作资源和灵感,采用集体即兴创作方式,边写边演、先演后写,早期作品以艺术家形象塑造和感伤唯美的风格见长,同时田汉的戏剧创作对南国社演员的本色表演和唯情演技亦产生深刻的影响。南国社演出与接受之间的互动则表现在:南国社表演真挚感人,演出效果很好,有力地扩大了新兴话剧的社会影响,受到观众的欢迎和追捧,但也收到了不少尖锐的批评和督促,南国社后来的“左转”除了受到左翼戏剧运动的影响,也与观众的批评接受有关。

Association and interaction could be evidently observed in the writing,performing,and reception of Tian Han's plays written for the Nanguo Drama Club.Tian was inspired by actors'performance,and the plays were collectively improvised-some plays were written during the performance or even as a result of it.Tian's early plays were characterized by sentimental styles with artistic protagonists,which influenced performers of the Club who aspired to the standards of instinctive performance and natural expression of true feelings.The interaction between performance and reception could be seen in the stage effect.On the credit side,the unaffectedly moving performance received warm applause from the audience,thus publicizing and expanding the social impact of Huaju.On the debit side,they were the target of sharp criticism,which,as a concurrent reason with the leftist theatre movement,accounted for the leftist tendency of the Nanguo Drama Club.