摘要
二战后德国涌现的三代导演剧场分别展现了各自的美学特质和政治性,具体可从三个方面来理解。第一,德国战后三代导演剧场分别呈现出何种独特的美学特质,及产生这些美学特质的根本原因为何。第二,导演剧场政治味道浓厚的原因复杂,其中有历史习惯沿袭,也有启蒙以来的自我身份认同与定位,更是深层次的戏剧本身蕴含的政治性的凸显。第三,每一代导演剧场的政治性具体如何表演性展现,回应了怎样的时代问题,以及三代导演剧场之间如何嬗变。嬗变中,导演剧场的政治和美学交织,共同彰显出德意志民族的自我身份认同与自我反思。
The article focuses on the three generations of German Regietheater(director theatre)after World WarⅡ,and endeavors to analyze the leading directors of the three generations with the clues of aesthetic as well as political characteristics,and its inter-generational political evolution.Specifically,this article manages to solve three sets of problems.First,it explores the unique aesthetic characteristics of the three generations of German post-war director theatre and the fundamental reasons for these aesthetic characteristics.Second,it decodes the profound and complicated reasons for the strong political flavor of the director theatre,including historical reasons,self-identity and orientation since the enlightenment,and even more,the expression of the political nature of the very theatre.Thirdly,it displays the political characteristic of each generation of director theatre,focusing on how each generation responds to its own problems of the times,and how it evolves between generations.In the process of evolution,the politics and aesthetics of the director theatre are interwoven together to reveal the self-identity and self-reflection of the German nation.
出处
《戏剧艺术》
北大核心
2023年第4期95-105,共11页
Theatre Arts
基金
国家社科基金艺术学重大项目“当代欧美戏剧理论前沿问题研究”(18ZD06)阶段性成果。
