后移民戏剧:一种后表征主义剧场的多元身份建构探索

Post-migrant Theatre:An Exploration of the Construction of Multicultural Identity in Postrepresentative Theatres

后移民戏剧是2006年诞生在德国剧场的新术语,是剧场艺术家们对欧洲移民现象给社会带来的改变和问题做出的回应,也反映了他们在体制性层面对剧场变革的批判性、反思性姿态。德国马克西姆·高尔基剧院和比利时皇家弗莱明剧院在应对移民给社会带来的变化时采取了后表征主义剧场的体制性戏剧构作策略,通过《狂血》等作品质询现存的知识结构,激发对移民的偏见与歧视的批判性反思,并对欧美文化霸权主导下的多元文化身份建构和研究范式进行补充和修正。

“Post-migrant theatre”is a new term coined in the German theatre in 2006.It is theatre artists'response to the changes and problems caused by migration in Europe,and it reflects their critical and reflective gestures towards the changes in theatre at the institutional level.The Maxim Gorki Theatre in Germany and the Royal Flemish Theatre in Belgium adopt a post-representational institutional dramaturgy in response to the social changes brought about by migration.Theatre pieces such as Verrucktes Blut(Mad Blood)interrogate existing knowledge structures,stimulate critical reflection on prejudice and discrimination against immigrants,and provide a complementary reference to the construction and research paradigm of multicultural identity under European and American hegemony.