摘要
涵泳是方玉润阐释《诗经》的主要方式,他主张在不拘泥于前人阐释的前提下,借鉴诠释学和修养论中的涵泳方法以推原诗人始意。在涵泳方式上,强调通过文学性的途径来体会关于教化的诗旨,使读者由“被领会”转向“主动领会”,扩大了《诗经》的情感指向,并由此构建了一套以文学为途径来诠释《诗经》诗教思想的完整的《诗》学体系,体现出文学与经学交织的特点。
Hanyong style is Fang Yurun’s main way to interpret the Book of Songs.Fang Yurun advocates the use of hermeneutics and cultivation theory to deduce the original meaning of the poet,without being bound to the previous interpretations.In terms of the way of Hanyong,it emphasizes the literary way to experience the poetic meaning of edification,so that the reader can shift from“being understood”to“actively understanding”,enlarging the emotional direction of the Book of Songs.And thus a complete system of poetics,which interprets the poetic edification of the Book of Songs,is constructed,reflecting the interweaving of literature and Confucian classics.
作者
杨淑琪
YANG Shuqi(Yangzhou University,Yangzhou 225001,China)
出处
《成都航空职业技术学院学报》
2023年第3期66-69,共4页
Journal of Chengdu Aeronautic Polytechnic
关键词
《诗经原始》
涵泳
经学与文学
《诗》学观
Shi Jing Yuan Shi
Hanyong
literature and Confucian classics
poetics