《满江红》:色彩多模态隐喻与美学价值构建

Full River Red:Color Multimodal Metaphor and Aesthetic Value Construction

色彩作为物质世界中第一视感的艺术表达元素,它既能表现风格,又能渲染氛围。在新时代的影视创作中如何运用色彩的功能和意蕴,达成形神兼备的美学风格值得探讨。本文通过多模态隐喻的研究方法分析张艺谋新作《满江红》,剖析色彩对影视创作中的视效技法的结合、角色形象的塑造、叙事时空的构造、美学价值的创新、民族感情的抒发、作者的思想表达,分析色彩在影视的深层意蕴。

Color,as the primary artistic expression element in the material world,can not only express style but also render atmosphere.It is worth exploring how to use the functions and meanings of color in the new era of film and television creation to achieve an aesthetic style that combines form and spirit.This paper analyzes Zhang Yimou's new work"Full River Red"through the research method of multimodal metaphor,analyzes the combination of color with visual effect techniques in film and television creation,the shaping of role images,the structure of narrative time and space,the innovation of aesthetic value,the expression of national feelings,the expression of the author's thoughts,and analyzes the deep meaning of color in film and television.