对于“身体”的再观照——中国民族民间舞研究方法的拓展

Rethinking“Body”:Expansion of Research Methods of Chinese Ethnic-Folk Dance

现有的中国民族民间舞研究多从文化整体观视角出发,围绕舞蹈、环境和人三者的互动关系进行由表及里的文化阐释。在此基础上,“身体”作为中国民族民间舞创作的主要艺术载体,在民族民间舞语境中有着丰富的意义和内涵,理应对其媒介性、自主性、多元性问题给予更多关注。图像人类学从人本主义视角切入,强调媒介自身的意义与独立性,并将身体的概念置于其理论中心,可为该问题的研究提供路径参考。在将图像人类学中“三具身体”的理论范式置入对民族民间舞创作实例的考察后,可以发现中国民族民间舞作为民族文化的活态传承,只有在原生形态与艺术形态的转换中,把握住集体传统中身体文化基因的提纯与延续,才能在传承创新中保持其原真性。

The existing research on Chinese ethnic and folk dance mostly adopts a cultural holistic perspective,focusing on the interactive relationship between dance,environment,and people from the surface to the inside for cultural interpretation.On this basis,as the main artistic carrier for the creation of Chinese ethnic and folk dance,“body”has rich significance and connotation in the context of ethnic and folk dance.It is necessary to pay more attention to its media,autonomy,and diversity issues.Image anthropology approaches from a humanistic perspective,emphasizing the significance and independence of the media itself,and placing the concept of body at its theoretical center,which can provide a path reference for the study of this issue.After incorporating the theoretical paradigm of the“three bodies”in image anthropology into the examination of examples of ethnic and folk dance creation,it can be found that as a living inheritance of ethnic culture,Chinese ethnic and folk dance can only maintain its authenticity in the transformation of its original form and artistic form by grasping the purification and continuation of body culture genes in collective tradition.