王士禛对孟浩然诗歌书写的接受

Wang Shizhen’s Acceptance of Meng Haoran’s Poetry Writing

王士禛作诗转益多师、博化诸体,上承《诗经》,下学唐、宋、元、明之诗,但他的山水诗其实是多宗唐代的王孟一派,尤与孟音一脉相承。王士禛作为清代前期孟浩然诗歌的重要读者,尽管他个人也认为孟诗因有“寒俭之态”不及王维广博浑融,但他的山水诗歌创作仍取法孟浩然颇多。王士禛早年求学时曾抄写孟诗并且仿制孟诗,后期精进诗艺、重申诗学宗旨之时,又多次将孟诗作为神韵诗作的典范编选入册,并在创作实践中将襄阳风范化为己用,锻造了属于自己的创作风格。可以说,王士禛山水诗歌既是清初文坛的新发展,又是孟浩然山水诗风的绵延与回响。

Wang Shizhen’s poems are of various styles.He inherited The Book of Songs and the poems of the Tang,Song,Yuan and Ming Dynasties.However,his landscape poems are actually of Wang-Meng School in the Tang Dynasty,especially those of Meng Haoran.According to Wang Shizhen,an important reader of Meng Haoran’s poems in the early Qing Dynasty,Meng Haoran’s poems are not as broad and harmonious as Wang Wei’s because of the“cold and thrifty”attitude,but his landscape poems still follow Meng Haoran’s in many ways.In his early years,Wang Shizhen copied Meng Haoran’s poems and imitated them.In his later years,when he refined his poetic skills and reiterated his poetic purpose,he compiled Meng Haoran’s poems as models of verve poems for many times.In his creative practice,he transformed Meng Haoran’s poems into his own style and forged his own creative style.Wang Shizhen’s landscape poetry is not only the new development of the literary world in the early Qing Dynasty,but also the continuation and echo of Meng Haoran’s landscape poetry style.