摘要
蓝印花布是我国民间传统手工制品,桐乡蓝印花布是其中的杰出代表。文章阐述了蓝印花布的纹样类型,并结合具体图案介绍了三种主要纹样类型,通过对蓝印花布的色彩特征的分析,加深对良渚文化影响下的蓝印花布的美学价值和艺术价值的认识。通过查阅文献的方式,收集、归纳良渚文化影响下传统蓝印花布的资料,依据分解重构的方法对图形元素进行再生设计,实现蓝印花布纹样与现实设计的深度融合,以利于提升其目标再生设计的文化价值,促进蓝印花布这项非物质文化遗产的传承与发展。
Blue printed fabric is a traditional handicraft in China,among which Tongxiang blue printed fabric is an outstanding representative.This paper starts with the pattern types of blue printed cloth,and then elaborates on the three main pattern types in combination with specific patterns.On this basis,it analyzes the color characteristics of blue printed cloth,and deepens the understanding of the aesthetic value and artistic value of blue printed cloth under the influence of Liangzhu culture.The data of traditional blue printed cloth under the influence of Liangzhu culture were collected and summarized by means of literature review.Graphic elements for regenerative design is done based on decomposition and reconstruction methods,achieving deep integration between blue printed fabric patterns and real design.As China's intangible cultural heritage,blue calico has profound cultural value and connotation.The combination of traditional patterns and modern design is not only conducive to improving the cultural value of its target regenerative design,but also can promote the inheritance and development of blue printed cloth..
作者
胡恬静
HU Tianjing(Southwest Forestry University,Kunming 650224,China;School,Shanghai Shangyang Foreign Language School,Jiaxing 314500,China)
出处
《西部皮革》
2023年第19期106-108,共3页
West Leather
关键词
良渚文化
蓝印花布
纹样重构
创新研究
Liangzhu culture
blue printed fabric
pattern reconstruction
innovation research