攫住快感与痛苦的印迹——埃尔诺《相片之用》中爱欲与死亡的影像化书写

The Intermedial Writing of Eros and Thanatos in Annie Ernaux's L'Usage de la photo

《相片之用》顺应了当下“无度影像化”的潮流,以图文并茂的方式,借助安妮·埃尔诺和她当时的情人马克·马力的双重视角,记录了埃尔诺罹患乳癌期间两人的爱情故事,是埃尔诺作品网络中的重要节点。作品中通过文字与影像双重媒介而得以具象化的爱欲是驱动写作主体不断颠覆社会禁忌、向理想中的真实迈进的核心力量:正是在爱欲的催化作用下,饱受癌症折磨、在医疗机构内部被无情客体化的叙事者才能在生理和智性层面重新寻回对必死之身的主宰,并借助艺术实践,真切地感受到创造与重生的乐趣,进而坦然接受随时可能降临的死亡。

Corresponding to the unbridled imagery of existence that characterizes the current era,L'Usage de la photo uses photos to tell the love story between Annie Ernaux,then suffering from breast cancer,and her lover Marc Marie.This relatively ignored work constitutes on the contrary an extremely important point of connection within Ernausian creation.Through an intermedial writing that embodies Eros,the work in question traces the approach of Ernausian writing,both transgressive and teleological,which strives to approach reality.Under the catalytic effect of Eros and thanks to artistic and literary practice,the suffering subject can finally regain her dignity and the pleasure of(re)creation,which ultimately leads her to tame her mortality.