摘要
2022年诺贝尔文学奖得主安妮·埃尔诺以其“具有社会维度的自传”和“非个人自传”而闻名,更因其偏重女性话题的“私人写作”而受到热议。本文聚焦埃尔诺“私人写作”的几部代表作,梳理其创作理念和叙事技巧,分析其作品中感性、流动、多元的女性话语特征,进而阐明作者如何赋予文字以“感性”,并运用语言艺术从“可感”走向“可知”,从个人走向大众;本文还借助福柯的话语理论揭示埃尔诺女性话语的“倒置”性特征,即反转主流话语、挑战文学传统、争取女性自由的创作追求。
Annie Ernaux,laureate of the Nobel Prize in Literature in 2022,is renowned for her""auto-social-biography"and"impersonal autobiography,"and has been hotly discussed for her"private writing"that focuses on women's topics.This article focuses on several representative works of Ernaux's"private writing,"'sorts out her creative philosophy and narrative techniques,analyzes the female discourse characteristics in her works with the features of sensibility,fluidity and polyphony,and further explains how she uses a language art to go from"sensibility"to"intelligibility,"from the individual to the public.This article also uses Foucault's discourse theory to reveal the"reversing"characteristics of Ernaux's female discourse.
作者
张璐
Zhang Lu(European Language and Culture Institute,Guangdong University of Foreign Studies,Guangzhou,Guangdong Province,China)
出处
《外国文学》
CSSCI
北大核心
2023年第5期38-48,共11页
Foreign Literature
关键词
埃尔诺
私人写作
女性话语
倒置话语
Annie Ernaux
private writing
female discourse
reversed discourse