摘要
中国社会大量人口迁徙流动现象产生了以此为叙事主题及主要故事情节的电影,并且形成了一个历时漫长、数量可观、引人瞩目的电影序列,我们将之称为“迁徙题材电影”。研究借鉴社会学的思维方法,运用空间理论,以电影中的故乡书写及乡愁问题切入对迁徙题材电影的观察和梳理,并提出“新影乡”以概括新阶段的故乡书写及情感表达特征,是电影创作者基于不断发生迁徙和变迁的社会现实而创造出来的乡愁文化新意象。
The phenomenon of massive population migration and mobility in Chinese society has led to a genre of film themes with this theme as the main storyline,which has formed a long,considerable and eye-catching sequence,called"Migration Films".This study of this theme may incite the researchers inspiration from sociological thinking,by virtue of space theory,observing and sorting out migration films based on hometown writing and homesickness issues in films.And propose"The New Homesick Film"to summarize the characteristics of hometown writing and emotional expression in the new stage.It is a new image of nostalgia culture created by film creators based on the constantly changing social reality of migration.
关键词
新世纪以来
中国迁徙题材电影
新影乡
故乡书写
since the new century
Chinese migration films
new homesick film
the writing of the hometown