论“十七年”电影的“说书人”特质

A Research on the ldiosyncrasies of the"Storytellers"of the"Seventeen-Year"Films

“说书人”叙事者是中国“十七年”时期电影的重要叙事要素。此时电影的“说书人”叙事者主要有三个叙事类型:通过大量字幕、画外音形成权威发言者身份的介入式叙事者,借助特定声音或剧中人物建构故事讲述主体的对话式叙事者,以及引入民族音乐,通过歌词与曲调的融合来增强电影民族性的音乐叙事者。电影“说书人”叙事使得故事以更亲和的叙事姿态接近受众,同时产生的间离效果又保证了电影的政治与教育功能,促成了“十七年”电影特有的人民电影品格。

"Storyteller"is an important narrative element of Chinese films during the"seventeen-year"period.At this time,the film"storytellers"mainly fall into three narrative types:the intrusive narrator who forms the identity of an authoritative speaker through a large number of subtitles and voice-over,the dialogic narrator who constructs the subject of story telling with the help of specific voices or characters in the play,and the music narrator who introduces national music and strengthens the national character of the film through the integration of lyrics and tunes.The"storyteller's"narrative of the film makes the story close to the audience with a friendlier narrative attitude,and the alienation effect also ensures the political and educational functions of the film,contributing to the unique character of the people's film of the"seventeen-year"film.