摘要
生态美学,从广义方面说,即是生态文明时代的美学,应从大历史观着眼,从经济与社会、哲学与美学转型的视角认识这种转型的必然性;从狭义方面说,生态美学是当代的自然生态美学,不同于人化自然的实践美学,关注的是人与自然关系中的共生之美。它在中国传统文化中表现为“生生美学”。
In a broad sense,The definition of eco-aesthetics is the aesthetics of the era of ecological civilization,and it should be understood from a broad historical perspective.From the perspective of the transformation of economic and social philosophy and aesthetics,we can understand the inevitability of this transformation.In a narrow sense,eco-aesthetics is the contemporary aesthetics of natural ecology,which is different from the practical aesthetics that emphasizes the“humanization of nature”,and advocates the beauty of symbiosis in the relationship between humans and nature.In traditional Chinese culture,it is known as the aesthetics of creating life.
作者
曾繁仁
ZENG Fan-ren(Center for Literary Theory and Aesthetics,Shandong University,Ji’nan 250100,Shandong)
出处
《陕西师范大学学报(哲学社会科学版)》
北大核心
2023年第4期35-43,共9页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
基金
国家社会科学基金重大项目“生态美学的中国话语形态研究”(18ZDA024)。
关键词
生态美学
生态文明时代的美学
人与自然关系中的美学
生生美学
eco-aesthetics
the era of ecological civilization
aesthetics in the relationship between human and nature
the aesthetics of creating life