《诗词通韵》编纂特点及其音律观照

The Compilation Characteristics of Shi Ci Tong Yun and Its Observance to Prosody

不同于《沈氏词韵》等格律类专书归纳旧词用韵的编韵方法,朴隐子《诗词通韵》着眼于词体的音律体性,出于“叶于律吕”的考量,以中州音及南北方音结合而成的“通音”作为编韵基础,得词韵平声20部、上去声20部和入声9部。体例上,以“通音”为线索,串联古体诗韵、近体诗韵、词韵和南曲韵,呈现出多体兼赅的特点。其词韵与南曲韵多相通,这与朴隐子“叶于律吕”的词体音律观有关。基于音律视角,朴隐子的词韵探讨并不强调对古词的格律观照,更注重具有“音律”体性的韵法建构。

Different from the method used in specialized books such as"Shen Shi Ci rhyme"to summarize the rhyme of old Ci,Pu Yinzi's"Shi Ci Tong yun"focused on the phonological characteristics of the Ci,based on the consideration of reflecting the musical attributes,the"Tongyin"formed by the combination of Zhongzhou dialect and northern and southern dialects was used as the basis for the rhyme arrangement,resulting in 20 parts for flat tones,20 parts for rising tones,and 9 parts for entering tones.In term of style,using"Tongyin"as a clue,it connects the rhyme of ancient style poetry,rhyme of modern style poetry,ci rhyme,and southern Qu rhyme,presenting the characteristic of including various literary styles.Its Ci rhyme is closely related to the rhyme of southern Qu,which is related to Pu Yinzi's concept of Ci style tonality.Based on the perspective of phonology,Pu Yinzi's exploration of Ci rhyme did not emphasize the observation of ancient Ci,but rather focused on the construction of Ci rhyme with a"phonological"aspect.