摘要
《萧萧》是沈从文“湘西”书写的重要作品,其1930年初刊本、1936年再刊本、1957年选集本构成了一个纵向的文本脉络。《萧萧》的两次改写与沈从文的返乡经历存在着时间和逻辑上的关联。三次返乡经历是促成沈从文“湘西”形象建构流变的重要原因之一。沈从文“湘西”的文学想象,也随着他对“乡土地方”和“现代中国”的关系的认知变动而发生变化。《萧萧》的改写和版本变迁,很好地呈现和解释这种变化。
Xiao Xiao is an important work by Shen Congwen in writing“Xiangxi”.The first edition in 1930,the second edition in 1936,and the anthology edition in 1957 constitute a vertical textual context.The two rewritings of Xiao Xiao are related to Shen Congwen's experience of returning hometown in time and logic.The experience of returning hometown three times is one of the important reasons for Shen Congwen to construct and change the image of“Xiangxi”.His literary imagination of“Xiangxi”also changed along with his cognition of the relationship between“local place”and“modern China”.Through the comparison and analysis of the versions of Xiao Xiao,this paper presents and explains this change.
作者
张春田
焦妍与
ZHANG Chuntian;JIAO Yanyu(Department of Chinese Language and Literature,East China Normal University,Shanghai 200241,China;Department of Chinese Language and Literature,Fudan University,Shanghai 200433,China)
出处
《杭州师范大学学报（社会科学版）》
北大核心
2023年第4期39-49,共11页
Journal of Hangzhou Normal University(Humanities and Social Sciences)
基金
华东师范大学中央高校基本科研业务费青年预研究项目“抒情传统与中国近代文学转型”
2022年华东师范大学研究生培养改革项目“中国现代文学研究前沿问题”的研究成果。
关键词
沈从文
《萧萧》
湘西
返乡
乡土地方
现代中国
Shen Congwen
Xiao Xiao
“Xiangxi”
returning hometown
local space
modern China
