洗井:寻求艺术参与的有效性

Well Washing:Seeking the Effectiveness of Artistic Participation

艺术乡建已经成为一种重要的当代艺术与社会文化现象.本文通过介绍阮仪三城市遗产保护基金会在乡村遗产保护和艺术实践方面的工作,并以艺术家许志锋在延平乡村艺术季中的一件行为艺术作品为例,探讨了艺术家在乡村振兴中的角色和意义,并指出需要深入了解和分析艺术乡建背后的社会和话语结构.文章还通过援引张晖教授的观点、介绍克莱尔·毕晓普和权美媛两位学者对于参与式艺术和场域特定艺术的研究和批判,指出艺术家在介入乡村时,要面对一系列关于参与者、参与方式、参与目的的问题,要避免对乡村的浪漫化想象,要直面乡村的现实困境和文化资源,激发村民的主体性和自觉性,促进他们参与到乡村变化和意义塑造的过程中来.

Artistic rural construction has become an important social and cultural phenomenon as well as a branch of contemporary art.This paper introduces the work of the Ruan Yisan Uran Heritage Protection Foundation in rural heritage protection and artistic practice,and takes a performance art work by artist Xu Zhifeng in the Yanping Rural Art Season as an example to discuss the role and significance of artists in rural revitalization,and points out the need to deeply understand and analyze the social and discursive structure behind artistic rural construction.The article also introduces the research and criticism of participatory art and site-specific art by two scholars,Claire Bishop and Miwon Kwon,by quoting the views of Professor Zhang Hui,pointing out that when artists intervene in the countryside,they should challenge a series of problems about participants,methods,and purposes to avoid romanticizing the countryside,enface the actual difficulties and cultural resources of the countryside,and stimulate the subjectivity and consciousness of the villagers to promote their participation in the process of rural change and sense shaping.