摘要
生物符号学文学批评中的“建模论”拓展了文学的外延,在主体、环境与感知关系分析进路中重构了自然文学的符号意指关系。“建模论”的阐释机制既是内化于身体的符号运作,通过身体内外经验的转换呈现出环境空间和文化结构之间的意义勾连,也是外显于文本的符号转换,在“自然文本”的构建下,自然实体与语言文本的共生使文学的生物文化阐释成为可能。以“建模论”为导引,生物文化需要应用多模态符号分析以及通过科学与美学的共构来阐释。
The core argument of"modeling"of biosemiotics literary criticism expands the literary extension and reconstructs the semiotic-meaning relationship of natural literature in a new approach to the analysis of subject,environment and perception.The explanatory mechanism of modeling theory is internalized in the symbolic operation of the body.The transformation of internal and external experience of the body presents the meaning connection between the environmental space and the cultural structure.The mechanism of interpretation is also manifested in the symbolic transformation of texts.Under the construction of"nature-text",the symbiosis of natural entities and language texts makes it possible to criticize the biological culture of literature.Guided by modeling theory,biological culture requires the application of multimodal symbolic analysis and interpret through the co-construction of science and aesthetics.
作者
孙宣
SUN Xuan(Department of Chinese Language and Literature,Sun Yat-Sen University,Zhuhai Guangdong 519082,China)
出处
《江苏科技大学学报(社会科学版)》
2023年第3期46-53,共8页
Journal of Jiangsu University of Science and Technology(Social Science Edition)
基金
国家社科基金项目“重建符号学基本原理视域下的符号否定性与本体论研究”(17BZW003)。