从多点、线性到多维——皖浙区域畲族音乐文化空间的阐释与实践

From multi-point,linear to multi-dimensional——Interpretation and practice of She nationality music cultural space in Anhui and Zhejiang regions

多点线性的视角,超越了现代主义科学民族志的典型写作范式,从个案中延伸线索,并向下一个个案进行追溯,形成多点连接构成的线性传播空间。而对于空间来说,具有实体和关系的双重意义。随着社会新型关系的出现,无论是在地化、网络传播,还是国家在场,实际上已经对一时一地的音乐文化形成了新的导向。定点、多点、线性、空间、多维等一系列构成关系,见证了民族音乐学发展中不断建构的书写范式。本文立足于皖浙畲族地区的实地田野考察,结合多点空间内的音乐形态与文化现象,试图揭示各空间内的畲族音乐文化是如何从单一、线性的音乐传播维度,向“在地化”、“传统的文本和传媒空间”、“国家在场的政策空间”等多维路径转向并进行文化的阐释。

The multi-point linear perspective goes beyond the typical writing paradigm of modernist scientific ethnography,extending clues from individual case and tracing them to the next,forming a linear communication space composed of multi-point connections.For space,it has the dual meaning of entity and relationship.With the emergence of new social relations,whether it is localization,network communication,or government behavior,the music culture has actually formed a new direction for the time and place.A series of constitutive relations,such as fixed point,multipoint,linear,spatial and multi-dimensional,bear witness to the continuous construction of the writing paradigm in the development of ethnomusicology.Based on the field investigation in the She ethnic minority areas in Anhui and Zhejiang,combined with the musical forms and cultural phenomena in multiple Spaces,this paper attempts to reveal how the She ethnic music culture in each space has shifted from the single and linear dimension of music communication to the multidimensional path of"localization","traditional text and media space","policy space in the presence of the state"and carry out cultural interpretation.