近十年中国民族器乐作品钢琴伴奏和声研究

Research on Harnomy of Piano Accompaniment from Chinese Instrument Composition in recent ten years

钢琴演奏的西方音乐,与中国传统器乐演奏的民族音乐,本是两种完全不同的音乐语言。为了使钢琴伴奏与民族器乐在听觉上关系融洽,现代中国的作曲家们对西洋和声进行了“民族化改造”。笔者试以民乐艺术指导的视角,从附加音和弦、四五度结构及复合和弦的运用;和声性倾向性与旋律性倾向性的终止式特征;近关系调、较远关系调、远关系调的转调方式这三个方面,阐述钢琴伴奏在现代中国民族器乐作品中的重要作用。

Western music played on the piano and Chinese traditional instrumental music are two completely different languages.In order to make the relationship between piano accompaniment and Chinese instrumental music harmonious in hearing,modern national composers carry out the“Nationalization transformation”of Western harmony.The author tries to expounds the important role of piano accompaniment in modern Chinese instrument composition from three aspects:chords,cadence and modulation.