八大山人花鸟题材画的特点——以八大山人纪念馆馆藏花鸟画为例

The Features of Bada Shanren’s Flower and Bird Paintings——A Case Study of Paintings Collected in Badashanren Memorial Hall

八大山人一生致力于花鸟、山水及书法创作,其花鸟画成就颇高。八大山人纪念馆所藏八大山人真迹约40余幅,文章尝试以八大山人纪念馆的花鸟画为研究对象,对《秋荷立轴》《孤松图轴》《枯木立鹰图轴》《孤鸟图》展开分析,进而揭示八大山人花鸟画的特点:八大山人的花鸟画以其“少”著称,不但描绘极少数的事物,而且单个的主体用笔也极少;从整体来看,其画作注重置陈布势,在简洁的布局中表达内在感受,巧妙地安排画面中的主体形象,笔触简洁而又恰到好处;其绘画语言简练,却具有丰富的画面内涵,通过干练的笔锋,深刻地表达了他复杂而矛盾的心路历程。

Bada Shanren devoted his life to calligraphy and painting of flowers,birds and landscapes,and made a high achievement in painting flowers and birds.?There is a collection of about 40 authentic paintings created by him in Badashanren Memorial Hall.Take flower and bird paintings collected in the memorial hall as the research object,the article attempts to analyze his works such as“Scroll of Autumn Lotus”,“Scroll of a Lonely Pine Tree”,“An Eagle Standing on a Withered Tree”and“Lonely Bird Painting”,and further explore the characteristics of Bada Shanren’s flower and bird paintings.Bada Shanren’s flower and bird paintings were famous for“scarcity”in the depicted things and in inking of individual subject.From an overall perspective,his paintings emphasized layout.He usually expressed his inner feelings through a simple layout,and tactically arranged the main images in the pictures.His brush strokes were concise but just right for the purpose.His painting language was succinct,but it contained rich visual connotations.Through his skilled brush strokes,he deeply expressed his complex and contradictory mentality.