压抑/解放:鲁迅作品的一组对照

Repression/Liberation:A Set of Contrast in Lu Xun's Writings

生命力的“压抑”与“解放”是鲁迅作品意义生产的一组重要的对照。鲁迅的写景文便大多取了生命力的“压抑”与“解放”的对照的意义框架。辽阔幽远,气势恢宏,是鲁迅的自然景物描写中承载着“生命力的解放”的时空组合的共同特征。作为对照的另一面,则是既有的旧的语言表达系统的围困所构成的“生命力的压抑”。生命力的“压抑”与“解放”的对照也是《狂人日记》的意义生产的基础。《阿Q正传》《祝福》《孔乙己》等篇则展现了被压抑与束缚的生命力,取了怎样的极端扭曲的方式,通过语言表达,释放出来。鲁迅探寻和塑造承载着“生命力解放”的人物形象的努力,一面指向偏僻的民间,一面又向历史的深处掘进。

The contrast between repression and liberation of the force of life is an important dimension in the production of meaning in Lu Xun's writings.Lu Xun's descriptions of natural environment are always based on a meaning frame with a contrast between repression and liberation.Wideness,remote and magnificence are the common characteristics of the composition of space and time in Lu Xun's writings,with which the liberation of the force of life become possible.As other side of the contrast,the repression of the force of life is derived from the siege of the dominant system of language representation.The main efforts exerted by Diary of a madman is to demonstrate the repression and siege on the force of life by the dominant system of language representation,and its struggle and resisting.The contrast between repression and liberation in The Real Story of Ah-Q,New Year's Sacrfice and Kong Yiji have transformed into a new form as repression/distortion.A constant pursuit in Lu Xun's writing is to uncover and demonstrate the persons whose internal life is burning with a bright flame from the remote countryside,the ancient age and the abyss of repression and siege.