论吴绮缘《反聊斋》对《聊斋志异》的戏仿与祛魅

The Discussion of the Parody and Wipe off Pernicious in WU Qi-yuan’s Fan Liaozhai to Liaozhai Zhiyi

吴绮缘所著《反聊斋》具有独特的思想蕴涵与艺术风格,在近代众多《聊斋志异》仿作中独树一帜。它在文体上突破反“聊斋”常效“阅微体”的传统,赓续了《聊斋志异》文体及其美的创造,对其后“聊斋体”作品尊体与重美产生了关键作用。在思想观念上,《反聊斋》对其戏仿文本《聊斋志异》进行了祛魅:以科学精神反对封建迷信,张扬以“情”为中心的新型婚恋观,强调男女间平等的知识授受,表示厌弃功名富贵等。这是作者以小说的方式积极回应社会热点问题,然而这些观念突破都有明显的思想局限,仍然依违于传统与现代之间。整体观之,《反聊斋》通过化古生新融入了民初小说界的“兴味化”主潮,为实现中国小说基于本土立场的蜕变做出了贡献。

Written by WU Qi-yuan,Fan Liaozhai has unique ideological connotation and artistic style,and is unique among many modern Liaozhai Zhiyi imitations.It breaks through the tradition of anti-Liaozhai style which imitates Yuewei style,and inherits the style of Liaozhai and its creation of beauty,playing a key role in paying attention to genre and beauty of the later works of Liaozhai Zhiyi style.In terms of ideology,Fan Liaozhai has wiped off pernicious in its parody text Liaozhai Zhiyi:opposing feudal superstition with scientific spirit,publicizing a new concept of marriage and love centered on Qing,emphasizing on equal knowledge transmission between men and women,and expressing aversion to fame and wealth.This is the author's active response to social hot issues in the form of novels.However,these breakthrough concepts have obvious ideological limitations and are still wander between tradition and modernity.On the whole,Fan Liaozhai has integrated into the main trend of XingWei in the early Republic of China's novel world by transforming the ancient to the new,and has contributed to the transformation of Chinese novels based on local positions.