从《诗经》到壮族民歌——通向生活世界的审美与情感

From the Book of Songs to the Folk Songs of Zhuang Ethnic Group--The Aesthetics and Emotions Leading to the Living World

壮族民歌在现代社会中的魅力,不仅在于其文学与文化价值,更是一种民众生活世界的鲜活生命力展现,与《诗经》有着密切的审美与情感渊源。从《诗经》到《越人歌》,再到现代的壮族歌圩,一脉相承的审美心理和自由情感得以生生不息地延续。壮族民歌可以看作是《诗经》在时间与空间线上的传续。民歌的深刻文化源头,即是生活世界中的民众将日常生活付诸诗性思维的审美意境和情感自由表达的真实实践。

The charm of the folk songs of Zhuang ethnic group in modern society not only lies in their literary and cultural value,but also is a manifestation of fresh and lively vitality of the living world of the people,and share close aesthetic and emotional origins with the Book of Songs.From the Book of Songs to the songs of the Yue people,further to the modern Gewei of Zhuang ethnic group,have lasted the aesthetic psyche and free emotions which can be traced back to the same origin.The folk songs of Zhuang ethnic group can be regarded as the temporal and spatial continuation of the Book of Songs.The profound cultural origin of these folk songs is the real practice of the aesthetic concept of the people's application of poetic thinking into their daily life and the free emotional expression in the living world.