从民俗记录到民俗纪录:中国民俗题材纪录片的叙事实践与探索

From Folk Record to Folk Record:Narrative Practice and Exploration of Chinese Folk Theme Documentaries

当下纪录片创作与民俗文化间的融合日趋紧密。“真实影像”赋予纪录片文献记录功能的同时,也强化了其固有的媒介作用。而以符号和标识形式存在的民俗文化必然寻求纪录片对民俗事象展开客观、真实的记录。在此过程中,民俗学者及影视学者均从各自诉求出发探究纪录片的创作策略。而从影视学学科视角展开的民俗题材纪录片创作理当从纪录片主客位的差异表述、叙事技巧的允洽使用两方面出发,探寻民俗题材纪录片的文本构建办法,实现真实民俗记录与艺术化表达之间的平衡。

The integration between documentary creation and folk culture is becoming increasingly close nowadays.Real images not only endow documentaries with documentary recording function,but also strengthen their inherent media role.The folk culture that exists in the form of symbols inevitably seeks documentaries to provide concrete,detailed,and comprehensive records of folk matters.During this process,both folklore scholars and film and television scholars explored the practical creation strategies of documentaries based on their respective demands.The creation of folk themed documentaries from the perspective of film and television science should start from two aspects:the differential expression of the subject and object of the documentary,and the consistent use of narrative techniques,exploring the text construction methods of folk themed documentaries,and achieving a balance between authentic folk recording and artistic expression.